The Monstrous
A metaphor in art. On the “There were times I wanted to change the world” exhibition.
Featured
The Ecologies of Care and Caring – A Mediation Program Between all Forms of Life
A series of exhibitions structured on the distinction between useful, poisonous, aphrodisiac and ritual plants in three galleries in Bucharest.
Featured
KIMAERA – A Biotechnological Organism Immersed in the Internet of Things (IoT)
This collaborative project combined the phenomenological interpretation of the world as a network of connections.
Articles
The Flesh of the Wood to the Fight
On Mircea Roman's angelic beings.
“Any sufficiently advanced technology is indistinguishable from magic”
An interview with Sabina Suru.
All Our Todays. Curatorship – Individual and All-Around
The temporary exhibition “All Our Todays” is a tour de force.
Here / After. Notes on the Battle Against Time
Ioana Nemeș transformed her journal into a calibrated, almost scientific instrument.
Ioana Nemeș – Ahead of Time
Ioana Nemeș’s ironic, even satirical discourse is socially engaged, critical of religious rituals and dogmas, bigots, and homophobes.
The Perfect Heel. Through Transposition You Readdress a New Reality
A performance undergoing a continuous evolution.
The Anomic Principle. Unleashing the Sins from “Unleashing the Sins of Sculpture”
Installation, as a medium of expression, is not a new form of sculpture, nor even an exclusive continuation of it, but a genre and a continuation of all the others.
Mapping Friendship
This gesture of “mapping friendship” recovers works, but also relationships, and invites viewers to reflect on how personal and political histories intertwine.
The Anachronism of a Collapse
A historiographical metafiction, a politically engaged fairy tale, (literally) a trip.