July 20, 2022
This status of "in betweenness" permeates through every single piece of the exhibition, and such uncertainty gives rise to an eerie feeling, bordering on fear but not quite succumbing to it.
— Tea Vindt
July 11, 2022
From communist gray to the intense green of the leaves on an IKEA bedsheet.
— Raluca Oancea
June 22, 2022
The discourse around dwelling insists on the fact that we are what we are according to our buildings and landscapes, and also that there is a natural extension between our body and the world.
— Raluca Oancea
June 16, 2022
"Me, Myself and Mycelium" proposes a space articulated from visual elements, techniques, and materialities which overlap in a dialogue responding to the association between organic and synthetic form.
— Mălina Ionescu
June 2, 2022
The female characters in Diana’s works have a mythological aspect.
— Ioana Gabriela Cherciu
May 19, 2022
In the artworks of Ioana Stanca and Orsolya Lia Vető, we can clearly observe the characteristics and epistemology of water.
— Éda Meggyesházi
May 6, 2022
The exhibition emphasizes drawing as a central tool – visually and conceptually – for the construction and deconstruction of particular universes, marked by uncertainty and anxiety.
— Ada Muntean
April 14, 2022
The retrospective exhibition recently opened at MNAC casts a spotlight on Ion Grigorescu, one of the most interesting and provocative artists of the last five decades in Romanian art.
— Ileana Pintilie
April 7, 2022
Mentoring und Aktion was an education and creation project inspired by Joseph Beuys
— Ada Muntean
March 16, 2022
A way of viewing the art show “Hack my Cage”.
— Tea Vindt