At the Thaddaeus Ropac Gallery in the Marais, Adrian Ghenie presents an exhibition inspired by the torrid landscape on the outskirts of Rome.

A scope that extends beyond a mere exhibition about Daniel Ștefănică's collection.

The exhibition is set against the backdrop of a novel the artist is working on, featuring a tree.

The concept of the archive shed its rigid contours, making way for alternative approaches constructed through frames, montages, essays, and commentaries.

An exhibition grounded in solid research.

Without aiming to be exhaustive, the exhibition brings together an impressive number of artists and collectives, ranging from established names to more low-profile figures.

We are, indeed, presented with an atypical representation, but not because it shows more, but rather too little of Bertalan.

Her artistic practice evokes the sense of a world in which fired clay preserves the traces of an original archetype.

A curatorial narrative that is, at first glance, bold and sorely needed.

Individual stiles and a harmonious team dynamic within the NOIMA group exhibition.