December 21, 2022
On vulnerability and power.
— Ada Muntean
December 13, 2022
What "home" might mean, not just for the Ukrainians, but for all of us.
— Britton Buckner
December 9, 2022
On SABA’s The Resilience of Capital at ElectroPutere Gallery.
— Maximilian Lehner
December 6, 2022
Presenting three different perspectives on drawing, the "Time Lines" project tells the stories of three artists for whom the current way of practicing their art is the result of long searches.
— Gabriela Pițurlea
December 1, 2022
Notes on painter Ioan Aurel Mureșan
— Doina Mândru
November 3, 2022
The exhibition "In the Skin of an Artist" by Dan Mihălțianu, developed in dialogue with curator Mihai Pop.
— Horațiu Lipot
October 26, 2022
"All the Suns" is a monumental gesture of accumulating collective memory through the sun, a poetic, even utopian, approach.
— Georgiana Buț
October 6, 2022
The Bureau of Melodramatic Research is the institutional parasite par excellence.
— Bogdan Bălan
September 13, 2022
The people in Virgilius Moldovan's work are shaped and depicted as they are visible in the artist's eye. His models usually come to the exhibition openings and pose in front of their "superego".
— Denise Parizek
August 11, 2022
The exhibition leaves a fair room for the opportunity to revisit a space of mind which is rarely accessed, that of childhood.
— Călina Coman